Aboriginal Art in the Public Eye (Art Monthly Australia supplement), 1992 [mixed media].

Art and Australia (Aboriginal Art Now issue), vol. 31, no. 1, Spring 1993.
particularly,

Croft, Brenda, "Blak Lik Mi", pp. 63-67.
De Lorenzo, "Delayed Exposure: Contemporary Aboriginal Photography", pp. 57-62.
Johnson, Vivien, "The Unbounded Biennale: Contemporary Aboriginal Art", pp. 49-56.

Art and Australia (The Festival of the Dreaming: Aboriginal and Torres Strait Islander Art issue), vol. 35, no. 1, 1997.
particularly,

Gough, Julie, "Time ripples in Tasmania: like waves upon our island shore, it rhymically serves to remind Aboriginal people of connections to place and to practices", pp. 108-115 [mixed media].
Langton, Marcia, "The valley of the dolls: Black humour in the art of Destiny Deacon", pp. 100-107.

Batchen, Geoffrey and Tracey Moffatt, "NADOC ’86 exhibition of Aboriginal and Islander Photographers", Photofile, vol. 4, no. 3, Summer 1986, pp. 24-6.

Caruana, Wally and Jennifer Isaacs (eds.), The land, the city. The emergence of urban Aboriginal art (Art Monthly Australia supplement), no. 30, May 1990 [mixed media].

Dewdney, Andrew, "Deliberate Acts of Cultural Translation", Third Text, no. 35, 1996, pp. 92-95 [Brenda L. Croft & Destiny Deacon].

Doolan, Wendy, Reworking Colonial Photographs: Aboriginal Identity, unpublished Bachelor of Arts Honours thesis, University of Melbourne, 1995.

Horton, Dr David (ed.), The Encyclopaedia of Aboriginal Australia: Aboriginal and Torres Strait Islander History, Society and Culture, Aboriginal Studies Press for AIATSIS, 1994.

Langton, Marcia, "Well, I heard it on the Radio and I saw it on the Television …", Australian Film Commission, North Sydney, 1993.

McQuire, Scott, "Signs of Ambivalence: Documentary Images", Photofile, no. 43, November 1994, pp. 6-13.

Neale, Margot, Yiribana, The Art Gallery of New South Wales, Sydney, 1994 [mixed media].

Pam, Max (ed.), Visual Instincts: Contemporary Australian Photography, Australian Government Publishing Service, Canberra, 1989.

Phillips, Sandra (ed.), Race, Representation and Photography, Inner City Education Centre Cooperative, Sydney, 1994.

Photofile (100% Mabo issue), no. 40, November 1993.
particularly,

Bellear, Lisa, "The Big Deal is Black: Brenda L. Croft", pp. 19-22.
Fraser, Virginia, "Destiny’s Dollys", pp. 7-11.
Howe, Elin, "Postcolonial Currents: The Work of Rea", pp. 23-25.
Johnson, Darlene, "Aboriginality and the Politics of Representation", pp. 32-5.
Mitchell, Avenel, "Repatriation, Race, Representation: A conversation between Ann Stephen, Hetti Perkins and Avenel Mitchell, 26 September 1993", pp. 12-18.

Taylor, Penny (ed.), After 200 Years: Aboriginal and Torres Strait Islander Australia Today, Aboriginal Studies Press for the Australian Institute of Aboriginal Studies, Canberra, 1988.

EXHIBITION-RELATED PUBLICATIONS

Abstracts: New Aboriginalities, exhibition catalogue, SWAPP, 1996.

bLAK bABE(z) & kWEER kAT(z), exhibition catalogue, Gitte Weise Gallery, Sydney, 12 February to7 March 1998.

Caruana, Wally & Mundine, Djon, Urban focus: Aboriginal and Torres Strait Islander art from the urban areas of Australia, exhibition room brochure, National Gallery of Australia, Canberra, 15 October to 27 November 1994 [mixed media].

Conversations between Clare Williamson and Tracey Moffatt, Eyeline, no. 18, Autumn 1992, pp. 6-8.

Guwanyi: Stories of the Redfern Aboriginal Community, exhibition catalogue, Museum of Sydney, Sydney, 21 December 1996 to 4 May 1997.

Inside Black Australia, exhibition catalogue, Treaty ’88, Canberra, 1988.

O’Neill, Neville John and Jane Barney, Black Humour, exhibition catalogue, Canberra Contemporary Art Space, Canberra, 12 July to 10 August 1997 [mixed media].

Perkins, Hetti, Aboriginal Women’s Exhibition, exhibition catalogue, Art Gallery of New South Wales, Sydney, 10 September to 10 November 1991 [mixed media].

Perkins, Hetti and Victoria Lynn, "Blak Artists, Cultural Activists" in Australian Perspecta 1993, exhibition catalogue, Art Gallery of New South Wales, Sydney, 1993, pp. x-xii [mixed media].

Photos of Tiwi People working and hunting together, exhibition catalogue, 24HR Art, Darwin, 14 August to 28 August 1993.

True Colours: Aboriginal and Torres Strait Islander artists raise the flag, exhibition catalogue, a collaborative project by Eddie Chambers, INIVA and Boomalli Aboriginal Artists Co-operative, 1994 [mixed media].

Williamson, Clare and Hetti Perkins, Blakness. Blak City Culture!, exhibition catalogue, Australian Centre for Contemporary Art, Melbourne, 8 October to 6 November 1994 [mixed media].

ARTISTS' BIBLIOGRAPHIES

Mervyn Bishop
Moffatt, Tracey (ed.), In Dreams: Mervyn Bishop Thirty Years of Photography 1960-1990, exhibition catalogue, The Australian Centre for Photography, Sydney, March to 14 April 1991.

Brenda L. Croft
Brenda L. Croft: Strange Fruit, exhibition catalogue, The Performance Space with Boomalli Aboriginal Artists Co-operative, Sydney, 1994.

Johnson, Darlene, Strange Fruit exhibition review, Agenda, no. 38, September 1994, p. 26.

Perkins, Hetti, "Strange Fruit: The Photographic Art of Brenda L. Croft", Art Asia Pacific, vol. 3, no. 1, 1996, pp. 90-3.

The Big Deal is Black: Brenda L. Croft, exhibition catalogue, The Australian Centre for Photography, Sydney, 2 to 24 July 1993.

The Boundary Rider: 9th Biennale of Sydney, exhibition catalogue, Art Gallery of New South Wales, 15 December 1992 to 14 March 1993.

Wiyana/Perisferia (Periphery), exhibition catalogue, Boomalli Aboriginal Artists Co-operative, Sydney, 1993.

ARTIST'S PUBLICATIONS

Brenda L.Croft
Croft, Brenda L., "Laying Ghosts to Rest" in Judy Annear (ed.), Portraits of Oceania, exhibition catalogue, Art Gallery of New South Wales, Sydney, 27 August to 26 October 1997, pp. 8-14.

Croft, Brenda L., "Postcard from Sydney", Artlink, vol. 14, no. 3, Spring 1994, pp. 47-51

Croft, Brenda L., "Boomalli", Artlink, vol. 10, nos. 1 & 2, Autumn/Winter 1990, p. 108.

Destiny Deacon
Australian Perspecta 1993, exhibition catalogue, Art Gallery of New South Wales, Sydney, 1993, pp. 26-7.

Deacon, Destiny and Virginia Fraser, No Fixed Dress, exhibition catalogue, Gallery Gabrielle Pizzi, Melbourne, 11 February to 15 March 1997.

"Image Bank", Artlink, vol. 15, nos. 2 & 3, Winter/Spring 1995.

Kerr, Joan, "Colonial Quotations", Art and Australia, vol. 33, no. 3, Autumn 1996, pp. 376-387.

Alana Harris
Cooper, Carol and Alana Harris, "Dignity or degradation: Aboriginal portraits from nineteenth century Australia" in Judy Annear (ed.), Portraits of Oceania, exhibition catalogue, Art Gallery of New South Wales, Sydney, 27 August to 26 October 1997, pp. 15-21.

Ellen José
Britton, Stephanie & Wright, Felicity (eds.), Artlink, vol. 10, nos. 1 & 2, Autumn/Winter 1990, p. 91.

Isaacs, Jennifer, Aboriginality: Contemporary Aboriginal Paintings and Prints, University of Queensland Press, St Lucia, 1989.

Leah King-Smith
Allen, Christopher, "Leah King-Smith at the Australian Centre for Photography", Asian Art News, vol. 2, no. 3, May/June 1992, p. 38.

Black, Lel; Huggins, Jackie; King-Smith, Leah & Balck Day Dawning, White Apron - Black Hands, exhibition catalogue, Brisbane City Town Hall, Brisbane, July 1994.

Chanin, Eileen (ed.), Death: Insights on Life, exhibition catalogue, Joint Committee of Necropolis Trustees, Macquarie Galleries, Sydney (and touring), 1996.

Fox, Paul, "Leah King-Smith Patterns of Connection", Agenda, issue 24, July/August 1992, p. 29.

King-Smith, Leah, "The Nineteenth Century Photographs in Patterns of Connection", Art Monthly Australia supplement (Aboriginal Art in the Public Eye), 1992, p. 41.

King-Smith, Leah [interview], "Crossing Time to Heal", Asian Art News, vol. 2, no. 6, November/December 1992, pp. 52-7.

Kronenberg, Simeon, "Presenting a Personal Archaelogy", Photofile, no. 42, June 1994, p. 45.

Le Voici della Terra, exhibition catalogue, Fondazione Gottardo, Lugano, 20 September to 29 October 1994.

Light, Dr Helen (ed.), The Wandering Jew: Myth and Metaphor, exhibition catalogue, Jewish Museum of Australia, Melbourne, November 1995 to February 1996.

Patterns of Connection, exhibition catalogue, Australian Centre for Photography, Sydney, 1992.

Southern Crossings/Empty Land: In the Australian Image, exhibition catalogue, Camerawork, London, May to August 1992 [includes Gordon Bennett].

Tunnicliffe, Wayne, "Patterns of Connection", Photofile, no. 36, August 1992, pp. 7-8.

Williamson, Clare, "Patterns of Connection: Leah King-Smith’s Subject", Photofile, no. 41, March 1994, pp. 28-31.

Ricky Maynard
Maynard, Ricky, No More Than What You See, South Australian Department of Correctional Services, Adelaide, 1993.

Maynard, Ricky, "Hidden Pictures, Static Image, Negative/Positive" in Hidden Pictures: An Indigenous Touring Film Festival, Australian Film Commission, 1995.

Rea
Ashburn, Elizabeth, Lesbian Art: An Encounter with Power, Craftsman House, Roseville East, 1996.

Carver, Antonia, "Mind, Body and Soul: Picking up the Pieces, Fitting Them Together, Making Her-Story", Art Asia Pacific, vol. 3, no. 2, 1996, pp. 68-71.

Genocchio, Benjamin, "Rea-Probe", Australian Perspecta 1997, exhibition catalogue, Art Gallery of New South Wales, Sydney, 1997, pp. 51-52.

Genocchio, Benjamin, "Rea-Constructions: The Work of Rea", Eyeline, no. 32, Summer 1996, pp. 18-20.