| |
Ricky
Maynard was born in Launceston, Tasmania in 1953. He is a self-taught
photographer who initially began work in the industry as a darkroom technician
at the age of sixteen. In 1981 he undertook a photography course at Hobart
Technical College, Tasmania to further his knowledge of chemistry and
optics.
Maynard worked as trainee photographer at the Australian Institute of
Aboriginal and Torres Strait Islander Studies (AIATSIS), Canberra from
1983, and studied photographic optics at Reid TAFE College, Canberra in
1984. He was selected as one of the photographers of the After 200 Years
project in 1985 and worked as the Aboriginal Arts Development Officer
at the Tasmanian Aboriginal Centre, Hobart in 1987.
Maynard was employed as a contract photographer for AIATSIS from 1989
and first exhibited his photographs in Narragunnawali at the Canberra
Contemporary Art Space that same year. In 1990 he was the recipient of
an Aboriginal and Torres Strait Islander Arts Board Grant from the Australia
Council, which enabled him to undertake a year's full-time study as part
of the degree program in Documentary Photography at the International
Centre of Photography, New York.
Maynard's photographs were included in Balance 1990: Views, Visions, Influences
at Queensland Art Gallery, Brisbane that same year. In 1992 he established
a freelance business, Jollygood Productions Studio, in Adelaide. Maynard
participated in Urban Focus: Aboriginal and Torres Strait Islander Art
from the Urban Areas of Australia at the National Gallery of Australia,
Canberra in 1994. That same year he was awarded the Mother Jones International
Fund for Documentary Photography for his black deaths in custody series
No More Than What You See (1993), which was later exhibited at Stills
Gallery, Sydney.
Maynard returned to Sydney in 1995 as artist-in-residence at the University
of New South Wales. In 1997 he held the solo exhibition Urban Diary at
Manly Art Gallery and Museum, Sydney. Maynard's photographs were included
in the exhibitions Endangered Species at Horsham Regional Art Gallery,
Victoria and Off Shore-On Site (part of the Festival of the Dreaming,
Olympic Arts Festival) at the Casula Powerhouse, Sydney that same year.
Maynard received the Australian Human Rights Award for photography in
1997. He is a founding member of M.33 Photoagency, Melbourne.
Artist
statement — Ricky
MAYNARD
This body of work embraces all of what the endeavour of photography is.
In giving compassionate understanding for black deaths in custody it required
a truthful accuracy with insight. They carry messages of our survival,
not only of man's inhumanity to man, but a feeling of what it's like to
be born black.
These pictures will live on in history, showing the moment to itself,
showing what needs to be changed and hoping some day we can look back
and see how far we have progressed as a society.
June 1998
|