Thomas B. Hess, Willem de Kooning, New York: George Braziller, 1959 (ill. pl. 124).
Sidney Tillim, 'The Figure and the Figurative in Abstract Expressionism', Artforum, vol. 4, no. 1, September 1965, pp.45-8, p.45 (ill.).
Maurice Tuchman (ed.), The New York School: The First Generation, Greenwich, Conn.: New York Graphic Society, 1965, p.54 (ill.) (a revised edition of the original Los Angeles County Museum catalogue of the exhibition 'The New York School', 1965); also published as The New York School: Abstract Expressionism in the 40s and 50s, London: Thames and Hudson, 1970 (ill. fig. 17).
Gabriella Drudi, Willem de Kooning, Milan: Fratelli Fabbri Editore, 1972 (ill. pl. 82).
Franz Schulze, 'Reflections on de Kooning', Artnews, vol. 73, no. 9, November 1974, pp.46-7, p.46 (ill.).
George Dickerson, 'The Man Who Painted "Woman V"', Australian Women's Weekly, 4 December 1974, pp.6-7, p.7 (ill. col.).
Harold Rosenberg, De Kooning, New York: Harry N. Abrams, 1974 (ill. col. pl. 116).
Elwyn Lynn, 'The 1976 Adelaide Festival and Two Spectacular Women', Art International, vol. 20, no. 6, Summer 1976, pp.21-5, 52-3, p.22 (ill.).
Thomas b. Hess, 'Four Pictures by de Kooning at Canberra', Art and Australia, vol. 14, nos 3 and 4, January-April 1977, pp.289-96, p.293 (ill.).
Paul Cummings, Jörn Merkert and Claire Stoullig, Willem de Kooning: Drawings Paintings Sculpture, New York: Whitney Museum of American Art, in association with Prestel-Verlag, Munich, and W.W. Norton and Co., New York and London 1983 (exhibition catalogue), p.182 (ill. col.); as issued by the Musée National d'Art Moderne, 1984, p.100 (ill. col.).
Harry F. Gaugh, Willem de Kooning, New York: Abbeville Press, 1983, pp.8, 55, 56, p.6 (ill. col., also reproduced in colour on front cover).
Diane Waldman, Willem de Kooning, New York and London: Harry N. Abrams, 1988, pp.92, 97, p.96 (ill. col; London edition also reproduced in colour on front cover).