Bulletin de la Vie Artistique, Paris: Bernheim-Jeune 1923, p.424, illus.;

Jacques de Laprade, Georges Seurat, Paris 1951, p.35, illus.;

Henri Dorra and John Rewald, Seurat: L'Oeuvre Peint, Biographie et Catalogue Critique, Paris: Editions d'etudes et de documents 1959, p.178, illus.152;

César M. de Hauke, Seurat et son Oeuvre, Paris: Paul Brame et C.M. de Hauke, Gründ 1961, vol. 1, pp.106, 107, illus.158;

Pierre Courthion, Georges Seurat, New York: Harry N. Abrams 1968, p.112;

André Chastel and Fiorella Minervino, L'Opera completa di Seurat, Milan: Rizzoli Editore 1972, p.103, illus.158;

Norma Broue, 'New Light on Seurat's "Dot": Its relation to photo-mechanical color printing in France in the 1880s', Art Bulletin vol. 56 no. 4, December 1974, pp.581-9;

Sarane Alexandrian, Seurat, Naefels: Bonfini Press 1980, p.34;

Ronald Alley, Catalogue of the Tate Gallery's Collection of Modern Art: Other than Works by British Artists, London: Tate Gallery 1981, p.683, cited under no. 6067;

Richard Thompson, Seurat, Oxford: Phaidon Press 1985, p.158, illus.;

Michael F. Zimmermann, Seurat and the Art Theory of his Time, Antwerp: Fonds Mercator 1991 p.211, illus.384

Michael Lloyd and Michael Desmond, European and American Paintings and Sculptures 1870-1970 in the Australian National Gallery, 1992, pp.64-67;