Werk, 1929, p.343 (ill.).

Will Grohmann, Die Sammlung Ida Bienert, Dresden, Potsdam, 1933, pp.16, 23.

'Paintings from Private Collections', Museum of Modern Art Bulletin, vol. 22, no. 4, Summer 1955, p.25 (ill. as installed in Museum of Modern Art exhibition).

'New Kind of Space to Show Art', Artnews, vol. 55, no. 10, February 1957, pp.36-3 (ill. as installed in world House Galleries, New York).

Camilla Gray, The Russian Experiment in Art 1863-1922, London: Thames and Hudson, 1962, p.163 (ill., fig. 132).

Poesin måste göras av alla! Föröndra Världen! (Transform the world! Poetry must be made by all!), Stockholm: Moderna Museet, 1969 (exhibition catalogue), p.16 (ill. as installed in Malevich's 1919-1920 Moscow exhibition, displayed inverted).

Troels Anderson, Malevich, Amsterdam: Stedelijk Museum,

1970, p.96 (ill., fig. 59).

Donald Karshan, Malevich, The Graphic work: 1913-1930: A Print Catalogue Raisonné, Jerusalem: Israel Museum, 1975, p.22, n.7, pp.53, 161 (ill.).

Richard Cork, Vorticism and Abstract Art in the First Machine Age, London: Gordon Fraser, 2 vols, vol. 1, p.128 (ill.).

Andrei B. Nakov, 'Malevich and the Beginning of Suprematism', Art and Australia, vol. 14, nos 3 and 4, January-April 1977, pp.280-5, p.280 (ill. col.).

John E. Bowlt, 'Beyond the Horizon', in Kasimir Malevich, Cologne: Galerie Gmurzynska, 1978, pp.238, 244.